After uncovering in
the podcast how the media was used as a weapon in the psychological war against
the Lebanese people, we now turn to a hidden yet highly influential arm of this
propaganda landscape: Israeli military censorship.
Who Writes the Narrative?
In the Israeli entity, cameras do not roll, and news is not published without first undergoing mandatory review by military censorship, a body that plays a central role in managing collective consciousness within the framework of psychological warfare and media manipulation. The function of this censorship goes far beyond withholding "classified" information; it extends to the production of media narratives that serve political and military agendas, strategically shaping public awareness both within the entity and beyond its borders.
Military censorship in
the Israeli occupation entity holds broad legal authority, enabling it to
impose a tightly controlled media reality. However, it raises serious debate
over the balance between safeguarding national security and ensuring
transparency.
While authorities justify it as a security necessity, critics argue that it
limits society’s ability to engage in critical awareness and evaluate
governmental decisions.
A Battle for Perception Before It Is a Battle on the Ground
Military censorship in the Israeli entity is not merely a tool for controlling information; it is a fundamental component of psychological warfare. It is employed to shape public perception and control emotional responses. This approach turns Israeli media into a tool of conflict, through which the strategic vision of war is promoted by manipulating terminology, managing how news is conveyed, and directing public opinion both domestically and internationally.
In the modern era,
wars are no longer fought solely on the battlefield they have expanded into the
media sphere, where control over narratives has become one of the most critical
tools of confrontation.
As previously
discussed, military censorship is not limited to restricting the leakage of
information; it plays a central role in shaping the official narrative of wars
and influencing public perception. This media control is not solely aimed at
protecting national security, it also functions as a tool of psychological
warfare, redefining events and guiding their interpretation in the public mind.
However, in an era of
diverse information sources and the widespread reach of social media platforms,
this monopoly has begun to face new challenges. Traditional media is no longer
the sole producer of narratives; the ordinary citizen, armed with a smartphone,
has become an active participant in the media landscape documenting and
disseminating events without passing through the official filters imposed by
military censorship. This shift has not only disrupted the dominance of
state-controlled media but has also reshaped the very notion of truth in times
of war.
Here, Jean Baudrillard’s argument in his book "The Gulf War Did Not Take Place" becomes increasingly relevant, as he discusses how the media can create a virtual reality of wars—where events are not transmitted as they truly are, but rather presented in a crafted version that serves specific political and military agendas. This idea is not merely a philosophical theory; it applies to many modern wars, where the role of the media shifts from documentation and accountability to the fabrication of the narrative that is intended to prevail.
In this book, the
media did not merely reflect the reality of war as it unfolded; rather, it
constructed an alternative narrative for the public one that concealed the
actual experience from viewers and recontextualized events to serve specific
agendas.
This reality is not
far removed from the nature of modern warfare, where the media narrative is, in
part, shaped through manipulation or strategic framing. Such practices render
certain aspects of war seemingly contrived or selectively presented to align
with specific military and political objectives.
In this context,
digital media emerges as a genuine challenge to traditional narrative
monopolies. Although social media platforms are not immune to misinformation
and distortions, they have introduced a new form of accountability for legacy
media. Journalists and news organizations are increasingly compelled to keep
pace with the multiplicity of sources and to engage with a version of truth
shaped by real-time, on-the-ground documentation. Every citizen with a
smartphone now functions as a potential media outlet, fundamentally altering
the rules of the game and weakening the ability of dominant powers to maintain
absolute control over public narratives.
How can the public transcend these strategies and come to understand events independently of media bias and digital deception?
In the age of digital engagement, the impact of engagement metrics cannot be separated from the spread of false and misleading news.
Phenomena such as polarization and filter bubbles make users more exposed to information that aligns with their preexisting beliefs, regardless of its accuracy or truthfulness.
When individuals are surrounded by content that reflects their viewpoints and confirms their expectations, they become more inclined to accept inaccurate news—even deliberate disinformation—more easily.
This creates a fertile environment for fueling emotional debates and amplifying controversial content.
In today’s wars, victory is not measured solely by military gains, but by who controls the story that history will remember. As artificial intelligence and digital media evolve, the frontlines of conflict increasingly shift into the realm of perception. In this new battlefield, the struggle is not just over territory, but over the very meaning of truth.